Why you (yes YOU) should be watching 30 Rock

I am not just passionate, but passionate about T.V. shows that I love. Just this morning I debated with someone for close to 10 minutes about why Fringe is an excellent show. I obsessively write to Matt Roush at T.V. Guide and Michael Ausiello at EW to give opinions and get scoop. In fact, I asked Mr. Ausiello about the fate of Mary McDonnell's Laura Roslin on Battlestar Galactica today. The answer? Prepare to weep. But even with all of my debating and flailing over shows that I love, I've never tried to persuade people to watch 30 Rock. In all honesty, I never thought I would have to. It's got Tina Fey, Alec Baldwin, snappy writing and Emmy awards falling out of it's butt. Yet, for some reason no one's watching. Why? If this show gets canceled because of you Nielsen raters not watching, I'll have to find you all and abduct your television sets.

Tina Fey is a good way to get me to watch anything. And I do mean anything. I vowed never to watch a movie with Lindsay Lohan in it, but as soon as I found out Mean Girls had Fey at the helm and with an acting part? I didn't just rent the movie - I bought it. I have to admit that all around it's a very good slice of the high school movie genre, but I only bought it to be inspired by Tina Fey. I'm not sure if I've ever disclosed this information before, but my role model? Totally Tina. She's got the looks, the wit, the education and really, I'd be crazy to choose anyone other than Tina to look up to. (I've probably never said anything because wow does that make me sound stalkerish. I swear I'm not.) Anyway, if you've been following SNL lately, then you have no doubt seen her Palin impression. By itself it's hilarious because Palin really is insane, but Tina brings to it the walk, the talk, the facial expressions and hand gestures. She's got it down pat from the winking to the posing for the camera. Now, take that awesome acting ability and put it into a sitcom. Every week you get brilliant exchanges of dialogue that make you wonder about the genius of the writers. And the head writer of the show just happens to be Tina Fey.

The brilliancy of this show does not begin and end with Tina, however. We still haven't covered Alec Baldwin. I admit, I'd never really watched him in anything before. I mean, yes, I've seen Pearl Harbor. Correction: I slept through most of Pearl Harbor, and I've heard of a lot of things he's in, but I'd never watched any of them. Except for Beetlejuice. I effing love that movie. Anyway, in 30 Rock, he's a genius. For such a strong Democrat to play a stiff Republican? Well, if that's not acting, I don't know what is. And if you haven't seen the therapy session where Jack invoked the spirit of Redd Foxx, I suggest you run to Hulu.com RIGHT NOW and watch it. That clip alone should make you tune in tomorrow.

The supporting cast is nothing to poo-poo about either. Tracy Morgan as Tracy Jordan is great, and on a weekly basis makes me think: 'How much of this is based on Tracy Morgan's real life experiences?'. (I want to say...probably 56%) Jack McBrayer as the lovable, goofy, flighty, but probably smarter than you think Kenneth is equally hilarious and under-used which is something I sincerely hope changes soon. Who else could deliver the line: I don't drink hot liquids of any kind. That's the Devil's temperature! with such conviction?

The bottom line with this show is that it's smart. It's not 'veg out in front of the t.v., get up 10 times to get something to eat, talk on the phone while I watch it' television. It's satirical, it's relevant, and it's hysterical. The story lines range from downright silly (Tracy making a porn video game) to touching (Liz running the gamut of emotions when she thinks she's pregnant), and in 30 minutes you might just learn a thing or two about real humor. Everyone tune in tomorrow. You won't be sorry.

Why Mad Men is the best show in the universe. (Spoilers for the finale.)

First, before I really get into the meat of this, I want to say that yes, I did just post. Since I'm mostly writing for my own entertainment, I figure no one will be over-whelmed by the sudden burst of writing. And my last post was long, too. I guess I have a lot to say right now.

And I want to say something about Mad Men. If you've never seen this show, first off - why? Second, my thoughts are absolutely nothing compared to the Lipp Sister's site, Basket of Kisses. Oh my God you all, this website is the mecca of all things Mad Men. Why? For one, they actually got people to pay attention which I have obviously not grasped. And they have an interview with Matthew Weiner. Let me repeat that - MATTHEW. WEINER. And if you don't know that name, you probably aren't a fan of the show. Again I ask - why? So while I may occasionally gush about how amazing this show is, I grovel at the feet of Roberta and Deborah Lipp.

Now, onto why I love the show so much.

In an era of television shows where suspending reality is the key, here is a show that gives us real life problems, real life messes, and real life solutions. How refreshing is it to see that when a husband cheats, he can't say he's sorry and suddenly have things come up roses? A woman doesn't always keep the baby and expect the father of her illegitimate child to come running in to save the day. And the perfect man is a complete lie. All of us who watch T.V. know that when we turn on our sets, writers are asking us to please take off our logical thinking caps and set them aside. How many of us can watch an episode of Desperate Housewives or Brothers & Sisters and think 'wow, that is so much like real life - crazy!'? The answer is no one. But when it comes to Mad Men, we're allowed to keep our logic and actually depend on our brains to guide us through each episode.

I have to admit that when a co-worker first told me the premise of this show I wasn't really that excited to watch. I'd missed season one completely and in fact had never even heard of the show when she handed over her DVDs. The show had just been featured on the cover of EW, but I had no interest because I didn't recognize any of the actors. And the basic premise, a story about a 60's advertising agency set in Manhattan, well, that didn't exactly grab me. Until I watched the first episode and realized it is so much more than that.

The thing that gets me about this show is that it's not afraid to be messy. Don Draper is one of the most messed up characters on television. Here is a man who is struggling to forget his past, and is so desperate, he steals a dead man's identity. How likely is that to happen? Well, nowadays probably not at all, but for Don's time and situation it was easy. Easy to give up on his terrible life, his terrible family and the world as Dick Whitman knew it. Only, it's not as simple as that. Everything slowly begins to unravel eventually and the memories come back to haunt him. Even his brother tries to reconnect but that ends in guilt money and suicide. Welcome to a television show that reassures us that it's okay - life is complicated.

I'll argue my own views for just a second to say that Don may be messed up, but he's also one of the best characters on television. He's handsome, business savvy, and for the most part a good man. Who happens to cheat on his wife. A lot. Why do we forgive him this and sympathize with him as a protagonist? After all, a man who is unfaithful to his wife isn't usually celebrated. But instead of turning him into a monster, he's been shown as human. Affairs happen - it doesn't make you a bad person, just someone who made bad decisions. He loves his kids; he even loves his wife. Not all men who cheat do it out of hatred. Some men are just lost. Don Draper is one of those men.

If Don is a lost man, then Peggy Olson is a lost girl. This poor woman who was brought in as a naive secretary, and by season two's end has become Don Draper's protegee. Faced with having her lover's child, she didn't sit and wait around for him to leave his wife and run to her. She did what plenty of women have done: Had the child and gave it up, then pretended that nothing happened. I don't believe it was purely for selfish reasons, nor do I believe she was too crazy to take care of a child. In my opinion, the shock of having a child when she didn't even realize she was pregnant kept her in deep denial - if she doesn't acknowledge it, then it never happened. It's how she can take Don's advice and run with it, it's how she can face her priest and family. Even if they try to shame her, she never thinks on the idea long enough to feel guilty. Until the possible end of the world during the finale on Sunday. She finally confessed to Pete that she gave up his child, and by the end of the day, she was completely absolved to herself. She'll never have to worry about her secret again because it no longer matters. Everyone involved has been brought full circle. The question now is whether Pete will use the information to harass her. Certainly she has Don in her corner, but I can easily see it turning into something along the following lines:

Peggy: Pete, I need you to take care of this account right now please.

Pete: Hey, remember that time I told you I loved you and then you told me you gave my baby away? Do it yourself.

Can anyone else see this happening?

Originally I'd wanted to explain why this is the best show on t.v., and I know I've gone off on a really, really long tangent and bounced from topic to topic. Basically it boils down to this: It's a real show. It takes every day problems that have been relevant for decades and puts them into a time when the world was an uncertain place. It makes us feel for characters who perhaps shouldn't have our sympathy, it makes us rethink morals and ethics as we've previously defined them, and it gives us a glimpse back in time. And it does all of this with a sense of urgency. This show is what other shows wish they could be.

It's going to be a long, long winter without Mad Men.

Wow, has it been that long?

When exactly did I get behind on this blog? Well, I believe it was during the writer's strike when I explained how I feel. I came back for a hot second and then poof, I was gone again. Not that there's anyone who actually reads this that might be upset by the occasional (really long) hiatus. But still, this was supposed to be my place at the very least to talk about T.V. and have dreams of being famous. (Oh, hush - like you never dreamt it.) I suppose I should fill in exactly what I've been doing.

Originally, this was the place to come for television reviews. But my loyalties have shifted just a bit. I started writing for TheTwoCents.com, where I currently recap Heroes. When Fringe comes back from it's 3 week break, I'll recap that show as well. When the Battlestar Galactica prequel Caprica begins, that will also land on my plate. Oh, and don't let me forget to mention that I'll also be recapping the final (sniff) installment of Galactica. That doesn't mean that my T.V. viewing is limited to just those shows. Oh no, I've found an over-whelming amount of television to watch all in the hopes that one day, all of those t.v. moments will help me win a special Jeopardy episode. (No mocking; last week they featured a Mad Men category and I totally knew every answer.)

Shows that I'm absolutely in love with include the aforementioned Mad Men, a reinvented Desperate Housewives, The Office, 30 Rock and Fringe. All of these are cannot miss shows for me. And then there are shows that I watch, but not dedicatedly (I'm making up words) like Grey's Anatomy, Brothers & Sisters, Pushing Daisies and House. I know, I know - you can go ahead and string me up now for not being an advocate of Pushing Daisies, but I just can't get into it like I was pre-strike. I want to, but I was busy watching Project Runway and now too much time has passed for me to genuinely care. I think it's a great show, I really do - and I'll be watching that great show on DVD when I can watch the episodes in order from beginning to eventual end.

Speaking of DVDs, I had a compulsion to organize all of mine, perhaps in the spirit of the fall T.V. season. I realize that I have enough to be considered a little too addicted to television, but not enough to say I collect. So I figure that I have two choices: Either start buying more television shows on DVD so that it actually looks like I have a great collection, or start giving them away. The latter will never happen. That means I must start buying DVDs. My collection is random as it is: One season of House, two seasons of The Office, the 'best of' DVDs of Friends. I bought seasons 1-5 of CSI, and won't buy anymore because the show reached it's pinnacle after the incident with Nick. I have all 9 season of The X-Files and a random season of Reno: 911!. I'd like to have a little more order. I would love to have the entire box set of Will & Grace, and I'd like to buy the current seasons of 30 Rock.

I guess I need to start begging for DVDs for my birthday and Christmas, because this is a very expensive hobby. But nothing is better on a lazy Sunday than to stay in pajamas all day and watch old episodes of The X-Files, back when it was at its height. I must also confess that I simply gave away my copy of Grey's Anatomy season 2. I was so disgusted with the show after the ferry boat stuff and the Meredith and George thing and all of the mess after that, that I just let someone have it. I mostly regret that decision now, and I will buy it back. But I'll probably never buy the seasons I missed and pick it back up with the current season. (Speaking of Grey's, Mary McDonnell is showing up on the show for sweeps. Thank the Gods, I missed seeing her on my T.V. screen every week.)

What else is there? I think this is long enough for now. If anyone reads this old thing, I'll be making more updates. Even if no one does, I'd like to have a record of my downward spiral into television addiction. Maybe one day when (not if) I'm writing screenplays, I'll be able to look back at this and laugh. Or cry. We'll see.

American Idol and Lost - spoilers ahoy!

American Idol
The only thing that I really don't like about the process of picking the final 24 is that there are what, four that we've never even heard sing? We've just had glimpses of them. Those four would be Jason Castro, Luke Menard, Garrett Haley, and Jason Yeager. Will the fact that they got no screen time hurt them starting next week? Who knows; only Wednesday will tell. I want to trust Simon, Paula, and Randy, but who knows if those four can even really sing. And why are they all guys? I mean, why not have a few unknown women to even it out?

Anyway, with everyone that I've seen, the talent seems pretty decent. No one's had one of those performances where you just know who the top five are going to be. There are people who you know will be decent, but no one just shook me up with their singing. I'm willing to put my money though, on Amanda Overmyer and Asia'h Epperson. For guys I think I'd go with David Archuleta and the gorgeous hottie Aussie Michael Johns. So hot. That doesn't mean that I don't like other people. I like Kristy Lee Cook okay, but she sang Amazing Grace twice. It would have been nice to hear her branch out and not try to stay safe, and I'm actually surprised that Simon didn't say something about that. Unless I missed it. I also really like Carly Smithson. She's cute and cheeky, but I don't think she's finalist material. I do think she'll get far, just not all the way to the top.

I really, really like Ramiele Malubay and I think she'll probably be the one to shine about midway through. It could go either way with Kady Malloy, and I say that because I'm afraid she'll never sing like herself, which was something the judges had to keep asking her to do during her first audition. But then again, she could really find herself and break through as well.

Last year, with the Sanjaya mess and wishing week after week that he would just go home already, I've been trying to pick out who the possible 'Sanjaya' is of this competition. (Admit it, you're doing it too.)

At first I thought it was going to be the disaster that was Josiah. And I have to admit, I probably wouldn't have watched the season had he been let through. What was with him, anyway? Did his parents actually kick him out, or did he just leave to go live in his car? And if he did the latter, stop crying and go home, dude. You aren't British, and you aren't Madonna. Stop talking like that. I listen to a lot of British influences, but I don't talk like I'm trying to impress the Queen. ANYWAY, my prediction for Sanjaya is Danny. Danny Noriega. When I first saw him, I thought he was a teenage girl and he can sing okay, but Sanjaya didn't do badly at first either.

Notice there are some people that didn't even get a mention. Like the rocker chick who can only sing Janis Joplin - I don't think she can do anything else, let alone something soft.

What do you guys think? And do you have a top 12 list yet?


Lost
Alright. Now, LOST. During which I was mostly just that. Also, I forgot to DVR it so I can't go back and check myself fact wise, so feel free to point something out just in case I mess it up.


Anyone else totally think "Wow, it's like Mr. and Mrs. Smith if Angelina Jolie and Brad Pitt didn't really love each other"? Poor Sayid; he just keeps falling for the blondes that are going to eventually end up dead. Although, what happened to the 'love of his life'? Did he just give up on her? I guess 100 days on an island makes you forget about all that other silly, trivial stuff from your days as a torturer. In the future, Sayid is working as an assassin for Ben. So, Ben got off the island? The final six can't include Ben, I refuse to believe that. So, my thinking now is that the Oceanic Six only include people who were actually on the plane when it crashed. Meaning other people (like Juliet and obviously Ben) do leave the island but aren't counted in the final tally because they're natives. Was Ben always a doctor though? Did I miss something? Since when did he become qualified enough to remove a bullet? I guess about the same time he became qualified enough to run an animal hospital?

I don't even really know what to say or where to go from here. I have a lot of questions that everyone else has already asked. Who is The Economist? It's the man that Sayid was supposed to kill, probably, but why? Is it Penny's father? Possibly?

And where is she, by the way? I had assumed she was close, but maybe not. Especially with the way it seems time moves different on the island versus off. Are we looking at some sort of time warp? An alternate universe? I'm so confused that I can't even get my thoughts down right, which is really bad for a television reviewer.

Okay, so, let's go to something different. How about Hurley tricking the other Losties? How heartbroken was I? Actually, I'd never really loved Hurley the way that everyone else did, and I was shocked - SHOCKED when he turned out to be working with Locke. Could this be why Hurley apologized to Jack in the flash forward?

So then, Sawyer takes Kate hostage and why didn't they just have sex right then and get it over with? I mean come on. And I like the idea of Kate and Sawyer but really, there are more important things. Like Sawyer's question of "Why do you want to get off this island so damn bad?" Why does she? Theoretically, shouldn't she be going to jail if she leaves the island? I did appreciate Sawyer putting his heart on the line, as much as he can do that, and now it looks like she's choosing him over Jack. Cue Jack's tears! Just kidding, he didn't cry at all, which actually shocked me.

We knew that Ben did a lot of traveling back and forth from the island to the real world, but how deep does that go? He had a drawer full of passports and foreign currency. Does he speak like, 10 different languages? What the hell does he do? I guess he could actually be running that Mittelos Biosciences place, but why wouldn't that be in one central location? Why would that require a drawer full of passports?

I need to do some research, specifically regarding the time and what those times could possibly mean. (I love research, it's sick.)

The last thing I want to mention is the bracelet Naomi was wearing and how it looked just like the one Elsa wore. And let's not forget the inscription.

There are a lot of other things I want to touch on, but unfortunately, my time here is cut short. Maybe if you guys have theories and questions, leave them here?

Who is R.C. by the way? Regina the freighter chick?

Until next time!

Hallelujah!

The strike is over!

I'd like to say thank you to the writers for showing us that change can happen!

Let the reviews begin again!

I have a couple of things that I saved on my DVR specifically for updating this blog, so look for some thoughts on Razor and the latest LOST!

We're glad you're back, writers. You probably don't hear it enough, especially from the fans - but we the fans appreciate you!

Why I support the writer's strike

Before I begin, I don't think I should actually have to justify myself. But being in Oklahoma and so far removed from each coast, I've gotten a lot of admonishment from family, friends, and co-workers who don't understand why this actually means something to me. People want a valid reason though, and I think I have one. So here you go. Flame me, support what I support, or be apathetic. It's not going to make me change my mind. If anything, I will only become more passionate for every adverse comment that's thrown my way.

I am far from getting the degree I need to say I could go to New York or L.A. to get work as a writer. My dream though, ever since I can remember, has been to write for a television show. Preferably a show like The Office (it's witty, smart, and I'd love to write for that cast.), but as I became more serious, I realized that any kind of script writing would be amazing, for any t.v. show that would make me proud to be in the business. And just so you know, I'm not so jaded that I think I'll be rich and famous. First comes the foot in the door, and I'm sure after many frustrating years you slowly start to see a payoff. I know it takes a long time for people to start saying things like "Oh, you can tell that (insert writer's name here) wrote this episode." But I wanted to be that person. I still do. I know that I'll probably go through hell and back, but writing is what I want to do. It's the only thing I've ever wanted to do.

When I do get my degree, I plan on writing locally for an Oklahoma magazine or newspaper, always with my goal in mind. Going to New York. Joining the guild and being one of those people who never sleeps and lives on Starbucks. Do I feel like I can still do that? I'm not even sure. Who would justifiably do something that they know they aren't getting rightfully compensated for? The truth is - writers do it every day. It's damn respectable. They deserve what they're asking for. We're talking about cents. Cents, and what every job should provide - good benefits for themselves and their family.

I can't imagine ever, ever doing anything else with my life career wise. I feel like the WGA is striking not just for themselves, but for future writers like myself. I want to know that I'm entering into a field that will be supportive, lucrative, and competitive. I want to know that if my children are sick, I'll be able to take them to the doctor. I want to know that the evolution of entertainment isn't going to be overshadowed with the knowledge that while networks make billions of dollars, they refuse to give up to 8 cents to the writers.

I support the strike. If I were in L.A. or New York, you would see me on the picket line. I have the posters up on the walls of my cubicle, I have a shirt, and I make sure every time I talk to someone at work, that they understand what they're reading on websites. There are people who scoff, there are people who say it's just writer's being greedy. But really, like someone else has already said: "Writers are like the water in plumbing. They make sure everything flows correctly, and without them, nothing goes anywhere."

I'm on strike

It's been quiet around these parts lately. And that is because I whole heartedly, 100% support the strike. My dream has always been to write in Hollywood. That means that I would be part of the WGA. I need to know, that when I do eventually make it out there (because I will. I know I will.), that I can be successful and support myself. Author's get paid for every book that sells. Why should it be any different at all for the writers of television and movies? It shouldn't.

So, because this blog is about recaps of shows, and we're going into no more new television for a while, the next time you hear from me will be when the strike is over. I encourage everyone to know the facts, to understand what's happening, and to support the WGA.